Integral to our mission is performing at new places and sharing qawwali with new audiences. Last year, we did just that! 2015 started off on a high, with a performance at New York’s GlobalFest which is the launching pad for upcoming world musicians! We had the chance to perform at The Webster Hall. Isabel Soffer, the festival’s co-director exclaimed that it’s been her dream to have qawwali represented at GlobalFest! The next major highligh came in March, when we celebrated the release of our second album, Ishq (http://www.riyaazqawwali.com/ishq/). The album had ghazal poetry from old and contemporary poets, including Khusrau, Ghalib, Zafar and Tahir Faraz.
Carrying the energy from our album release, we went on our 1st tour! 7 concerts in 2 weeks! The “Ishq” Tour started at the Richmond Folk Festival, which attracts more than 100,000 people to downtown Richmond's riverfront. As we took our first stage, the hall filled with over 1,500 people and we sang the iconic Man Kunto Maula. Qawwali, like it does, transcended linguistic boundaries and a group of 35 - 40 people made their way through the narrow walkways to the front to dance to the repetition of “Maula Ali Maula.” We performed at 5 stages. By the end, many fans told us that ‘[they] strictly followed our schedule, as not to miss a single set!’
As part of the festival, we performed for 400 elementary kids, who enthusiastically clapped with us for our short 50-minute performance. The heartfelt and rewarding experience was not the only interaction we had with young kids, where we took this music to schools. We also performed for high school students in Baltimore. In Baltimore, we were accompanied by 2 national-award winning Spoken Word artists, as we both shared perspectives of being African American and South Asian Americans.
This was preceded by a performance at the Creative Alliance in Baltimore. Our artists had the unique opportunity of performing for the music-loving Baltimore audience. Next, we performed at Colgate University during the university’s Eid Celebration. We had insightful cultural interaction with both the university faculty and students providing us a refreshing perspective on the secular aspects of the Eid celebration.
Our 2nd to last stop was Flushing Town Hall in New York. We enjoyed the intimate setting and the enthusiastic audience, which reciprocated our love and respect towards our music. After the concert, Sonny was greeted by a fan and his daughter who expressed their love for what we brought to the stage. A second later, his wife, the young child’s mother came towards the conversation. She was in tears. Her husband said that the whole time we were in song, she was crying. Even afterwards, during the meeting post concert, all she could get out between the tears was the purity she felt in the evening because of the music. We were all so humbled by her devotion!
Another stop on our tour was the Painted Bride Museum in Philadelphia, PA. We enjoyed getting to meet and perform for acclaimed artist and Music Curator Lenny Seidman. Painted Bride Art Center is home to an intimate theater and gallery in Old City, Philadelphia. The concert concluded and we were met by many staff and faculty that were South Asianists themselves. They even invited us to the yearly symposium that takes place at the University of Washington on South Asia. We look forward to that materializing and sharing details of it as it does!
The Ishq tour ended at Lafayette College (Easton, PA). And it was our most rewarding experience. The college and their director had set up 4 separate pre-concert workshops and talks that really brough the music to life and gave it the context of being interfaith and about oneness! And the concert benefited from it. The audience was loud and vocal-in a good way- from the beginning. It culminated in a version of Shahbaaz Qalandar, where over 2/3rds of the audience was out of their seats, and a few who even jumped up on the stage to show off their dancing moves!